Out near the porous, lawless eastern border between Bangladesh and India, a diasporic artist returns to make works with a band of washed up Ban♡its who are obsessed with Heath Ledger’s Joker. As they comically re-enact their glorified past, we confront the divergent histories and philosophies of peasant banditry and political resistance and its unexpected causes and contexts. The resulting para-fiction questions its authorship and morality and asks: when the art world comes calling, who are the real Ban♡its.