Fouzia Mahin Choudhury

Fouzia Mahin Choudhury is a multifaceted Bangladeshi artist, researcher, and bilingual poet. In
2026, she curated the "Into My Lungs" exhibition at the Alliance Française de Dhaka, addressing
health challenges among textile workers, further developing its 2022 exhibition in Norway. As a
researcher and translator, she took part in the 2024 "36 July" exhibition in Germany, which
commemorated Bangladesh’s July revolution. Choudhury is associated with the Uronto Artist
Community and has created notable artworks such as puthi-patachitra "Flutterby’s Folklore"
(2024), and “What Remains” (2019), unconventional puthi "Poa-Baro" (2026), and the folk
musical "Gourarang: an occupied territory” (2024). In 2023, she transcribed "The International
Hearing in Oslo, 1982" for A People's Tribunal in Norway, curated the "Where the Lotus Grows"
exhibition at the British Council in Dhaka, and facilitated a storytelling workshop at the WOW
Festival in Dhaka. Her publications include children's rhyme books with UNESCO and the Asia
Foundation, alongside poetry featured in The Daily Star and multiple online outlets.
Furthermore, Choudhury has managed art projects for both local and international artists
through organizations like the Samdani Art Foundation, emphasizing her dedication to
leveraging art for creativity, social change, and cultural dialogue, thereby influencing the local
and global art landscape.
P. S. Puthi-patachitra is a narrative poetry and illustration form of the ancient Bengal.